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This is like Mamet's three uses of the knife but... six or seven uses of the script.

It's amazing how easy it is to spend a ton of time as a writer thinking about why one's characters do what they do, what they want, what they're doing despite what they want, etc., without asking the same questions about ONESELF. I've read a lot of (the usual) screenwriting and playwriting books, and rarely do they treat the writer or the script as anything but matters of formal inquiry: what is the shape of a good script, what are the habits of good writers. Your posts here are the rare exception and, selfishly, I really hope you keep writing them, because:

Writing tends naturally to involve so much of the bad kind of self-awareness: "Do I suck? Why do I suck? Why am I such a lazy bastard?" What you're talking about here and elsewhere, by contrast, is a very healthy--because immediately useful and generative--sort of self-awareness: "What do I really want at this stage? What can I tweak to get there?" I don't think anything can remedy bad self-awareness better than crowding it out with the good kind.

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I say this time and time again: it's a miracle any film or tv show even gets made.

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